<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Co-de-iTdigital fabrication | Co-de-iT</title>
	<atom:link href="http://www.co-de-it.com/wordpress/tag/digital-fabrication/feed" rel="self" type="application/rss+xml" />
	<link>http://www.co-de-it.com/wordpress</link>
	<description>Computational Design Italy</description>
	<lastBuildDate>Thu, 29 Dec 2011 12:24:24 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3</generator>
<image>
  <link>http://www.co-de-it.com/wordpress</link>
  <url>http://www.co-de-it.com/wordpress//favicon_48_w.ico</url>
  <title>Co-de-iT</title>
</image>
		<item>
		<title>Parametric Light Pattern Design &#8211; new dates</title>
		<link>http://www.co-de-it.com/wordpress/parametric-light-pattern-design.html</link>
		<comments>http://www.co-de-it.com/wordpress/parametric-light-pattern-design.html#comments</comments>
		<pubDate>Mon, 11 Jul 2011 14:00:38 +0000</pubDate>
		<dc:creator>Co-de-iT</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[algorithms]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[Bologna]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[Grasshopper]]></category>
		<category><![CDATA[parametric]]></category>
		<category><![CDATA[Rhinoceros]]></category>
		<category><![CDATA[sensibility]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://www.co-de-it.com/wordpress/?p=653</guid>
		<description><![CDATA[Parametric Light pattern design]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone" title="Parametric Light Patterns" src="/wordpress/wp-content/photos/PLP WS Bologna/GH_PLP_new.jpg" alt="" width="929" height="449" /></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Workshop<br />
<a href="http://www.co-de-it.com">Co-de-iT</a><br />
Bologna –<br />
<del></del>30.09-02.10.2011<br />
.<br />
Parametric Strategies workshop series<br />
Parametric Light Pattern Design<br />
Bologna _ <del></del>30.09-02.10.2011<br />
Tutors: Co-de-iT</p>
<p>[.] Descrizione:</p>
<p>Il workshop è concepito per introdurre ai fondamenti di generative e parametric design attraverso l’uso di Grasshopper, plug-in per Rhinoceros (uno dei più diffusi modellatori NURBS per l‘architettura, design, automotive, design navale, gioielleria). Il tema attorno al quale il workshop si sviluppa è il design di lampade, intese come oggetti in grado di coreografare gli effetti luminosi attraverso l’uso di pattern di pieni e vuoti. Ogni partecipante svilupperà un progetto di “parametric light pattern”, il quale verrà poi fabbricato tramite KNK MAXX cutter e esibito in una mostra dei lavori presso Studio Rizoma con inaugurazione entro il mese di ottobre. Al termine della mostra gli oggetti verranno ritirati dai rispettivi autori.</p>
<p>Il tema sarà dipanato attraverso le giornate del workshop sviluppando aspetti teorici e tecnici dell&#8217;approccio parametrico generativo.</p>
<p>Il numero dei partecipanti va da un minimo di 10 a un massimo di 20 per offrire un tutoraggio proficuo ed una effettiva esperienza di learning ad ogni iscritto.</p>
<p>[.] Temi:</p>
<p>teoria: transizione, modulazione, eleganza, ridondanza, sensibilità, ornamento, spazio, porosità</p>
<p>tecnica:<br />
. dati:gestione, manipolazione, visualizzazione<br />
. generazione di geometria da dati<br />
. logiche parametriche applicate al design<br />
. genotipo/fenotipi<br />
. attrattori e tecniche di modulazione<br />
. design to fabrication per processo a taglio</p>
<p>[.] Dettagli :</p>
<p>Istruttori: <em><strong>Co-de-iT (GH &amp; design tutors)</strong></em>.</p>
<p>Si richiede una conoscenza di base nella modellazione in Rhino (equivalente a Rhino training Level 1 &#8211; la documentazione per il training è disponibile gratuitamente all’indirizzo: <a href="http://download.rhino3d.com/download.asp?id=Rhino4Training&amp;language=it" target="_blank">http://download.rhino3d.com/download.asp?id=Rhino4Training&amp;language=it</a>).</p>
<p>Software utilizzati:</p>
<p>. Rhinoceros v4 &#8211; ultima Service Release disponibile (versione di prova scaricabile da <a href="http://www.rhino3d.com/download.htm" target="_blank">http://www.rhino3d.com/download.htm</a>)<br />
. Grasshopper &#8211; versione più recente disponibile (scaricabile da <a href="http://download.rhino3d.com/Grasshopper/1.0/wip/download/" target="_blank">http://download.rhino3d.com/Grasshopper/1.0/wip/download/</a>)<br />
. Weaverbird &#8211; mesh tool for Grasshopper scritto da Giulio Piacentino (scaricabile da <a href="http://www.giuliopiacentino.com/weaverbird/" target="_blank">http://www.giuliopiacentino.com/weaverbird/</a>)</p>
<p>I partecipanti dovranno presentarsi muniti del proprio laptop con i software già installati. Saranno comunque disponibili versioni di prova di Rhinoceros.</p>
<p>Quote d&#8217;iscrizione (max 20 posti):</p>
<p>educational* : € 280.00 + iva<br />
professional: € 450.00 + iva</p>
<p>* studenti, docenti, ricercatori, dottorandi e laureati fino a un anno dalla data di laurea.</p>
<p><span style="color: #c0c0c0;"><del><span style="text-decoration: underline;"><strong>OFFERTA EARLY BIRD SPECIAL:</strong></span></del></span></p>
<p><span style="color: #c0c0c0;"><del> </del></span></p>
<p><span style="color: #c0c0c0;"><del>le prime <span style="text-decoration: underline;">5 domande</span> di iscrizione pervenute <span style="text-decoration: underline;">entro il 10 Settembre 2011</span> avranno diritto ad una quota di iscrizione <span style="text-decoration: underline;">scontata del 20%</span></del></span></p>
<p><span style="color: #c0c0c0;"><del>Quote d’iscrizione E.B. SPECIAL (max 5 posti iscritti entro il 10/09/2011 ):</del></span></p>
<p><span style="color: #c0c0c0;"><del><span style="text-decoration: underline;">E.B. SPECIAL educational</span>* : <strong>€ 224.00+ iva</strong></del></span><br />
<span style="color: #c0c0c0;"> <del> <span style="text-decoration: underline;">E.B. SPECIAL professional</span>: <strong>€ 360.00+ iva</strong></del></span></p>
<p><strong><em>le offerte Early Bird sono finite, ma ci sono ancora posti disponibili!</em><br />
</strong></p>
<p>Luogo : <em><strong>Studio Rizoma</strong></em>, via della Grada 11, Bologna</p>
<p>Orario : 09.00-18.00.</p>
<p>per info sul workshop: <em><strong>info@co-de-it.com</strong></em></p>
<p>per iscrizioni: scrivere a <em><strong>lab@nowhere.it</strong></em> oppure scaricare i moduli informativi e di iscrizione <a title="moduli iscrizione" href="http://www.rizoma.me/wp-content/uploads/modulo-informativo+-domanda-iscrizione.pdf" target="_blank">qui</a>. Le iscrizioni sono aperte fino al <del>21 settembre</del> <span style="text-decoration: underline;"><strong>29 settembre</strong></span> (scadenza prorogata!!!) o esaurimento posti.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.co-de-it.com/wordpress/parametric-light-pattern-design.html/feed</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>IaaC Global School – self(a)rchitecture &#8211; Summer workshop – Turin July 2011</title>
		<link>http://www.co-de-it.com/wordpress/iaac-global-school-%e2%80%93-selfarchitecture-summer-workshop-%e2%80%93-turin-july-2011.html</link>
		<comments>http://www.co-de-it.com/wordpress/iaac-global-school-%e2%80%93-selfarchitecture-summer-workshop-%e2%80%93-turin-july-2011.html#comments</comments>
		<pubDate>Thu, 19 May 2011 13:35:04 +0000</pubDate>
		<dc:creator>Co-de-iT</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[environment]]></category>
		<category><![CDATA[Grasshopper]]></category>
		<category><![CDATA[summer school]]></category>
		<category><![CDATA[Torino]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://www.co-de-it.com/wordpress/?p=874</guid>
		<description><![CDATA[Summer School . Alessio Erioli, Andrea Graziano + Cesare Griffa+ Davide Gomba Torino – 45°03´N 007°40´E . IAAC (Barcelona) is organizing a workshop in Turin (with the collaboration of the Politecnico di Torino) within its IAAC global summerschool self&#60;a&#62;rchitecture program. Local tutors will be: Cesare Griffa, Davide Gomba, Alessio Erioli, Andrea Graziano It’s a 2 weeks intensive program, from (13 to 28 july 2011) during which we will be thinking architecture in terms of: sustainable life systems, energy consumption, parametric design, software coding, hardware hacking, fabbing, and much more… for more info: read below and click here to download full program (pdf) APPLICATIONS ARE OPEN: click here to apply! ….. /IAAC SUMMER SCHOOL 2011 *part of the IAAC Global School Project Barcelona, Turin, Mumbai Simultaneous collaboration and investigation from all three locations. Self&#60;a&#62;rchitecture Key words: ecology, architecture, artificial intelligence, data, digital design, digital fabrication Abstract: The IAAC Summer School for the 2011 academic year will continue to investigate multiscalar strategies for the (re) construction of our inhabiting environments (home, city, planet). The last few years of technological, social, political, economic and cultural changes (at both the global and the local scale) demand that we rethink what kind of habitat humanity will live in in the [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.co-de-it.com/wordpress/wp-content/uploads/2011/05/IAAC-SUMMER-SCHOOL_WP.jpg" alt="IaaC Global School" width="313" height="443" /></p>
<p><strong>Summer School<br />
</strong></p>
<p>.</p>
<p>Alessio Erioli, Andrea Graziano + <a href="http://cesaregriffa.com/">Cesare Griffa</a>+ <a href="http://arduino.cc/blog/?lang=it">Davide Gomba</a></p>
<p>Torino – 45°03´N 007°40´E</p>
<p>.</p>
<p><a href="http://www.iaac.net/">IAAC</a> (Barcelona) is organizing a workshop in Turin (with the collaboration of the Politecnico di Torino) within its<a href="http://www.iaac.net/educational-programms/summer-school-2011-9"> IAAC global summerschool</a> self&lt;a&gt;rchitecture program.</p>
<p>Local tutors will be: <a href="http://cesaregriffa.com/">Cesare Griffa</a>, <a href="http://arduino.cc/blog/?lang=it">Davide Gomba</a>, <a href="../info">Alessio Erioli</a>, <a href="../info">Andrea Graziano</a></p>
<p>It’s a 2 weeks intensive program, from (13 to 28 july 2011) during  which we will be thinking architecture in terms of: sustainable  life systems, energy consumption, parametric design, software coding,  hardware hacking, fabbing, and much more…</p>
<p>for more info: read below and click <a href="http://www.iaac.net/archivos/programs/pdf/iaac-summer-school.pdf">here</a> to download full program (pdf)</p>
<p>APPLICATIONS ARE OPEN: <a href="http://www.iaac.net/educational-programms/summer-school-2011-9">click here to apply!</a></p>
<p>…..</p>
<p><strong>/IAAC SUMMER SCHOOL 2011 </strong></p>
<p><em>*part of the IAAC Global School Project </em></p>
<p><strong>Barcelona, Turin, Mumbai<br />
Simultaneous collaboration and investigation from all three locations.</strong></p>
<p><strong>Self&lt;a&gt;rchitectur</strong>e<br />
<strong>Key words: </strong>ecology, architecture, artificial intelligence, data, digital design, digital fabrication</p>
<p><strong>Abstract: </strong>The IAAC Summer School for the 2011  academic year will continue to investigate multiscalar strategies for  the (re) construction of our inhabiting environments (home, city,  planet). The last few years of technological, social, political,  economic and cultural changes (at both the global and the local scale)  demand that we rethink what kind of habitat humanity will live in in the  coming decades, given that space in all its aspects (landscapes,  cities, places, buildings and bodies) is undergoing dramatic  transformations.</p>
<p>The growing interest in managing climate change, in embracing of the  green agenda in urban development, in the development of techniques for  local energy generation, in the incorporation of information technology  into the physical space and other relevant situations, call for a new  vision of the evolution of the city and architecture. This opens up a  wide range of possibilities for the development of projects and  initiatives that will help transform habitable spaces in keeping with  the new requirements of both global and local users.</p>
<p><strong>Self&lt;a&gt;rchitecture </strong>is an agenda with research  and education goals that combines science and technology with  architecture and urban planning. Self-Sufficiency, Self- Fabrication,  Self-Organization, Self-Design and Self-and Collective Intelligence are  some of the key words on which the academic agenda of the programme will  focus.</p>
<p>The final outcome of the programme will include design proposals and the testing of <strong>Self&lt;a&gt;rchitecture </strong>at three scales:<br />
Scale 1. 1000 people (urban block)<br />
Scale 2. 100 people (urban building)<br />
Scale 3. 1 person (home, shelter)</p>
<p>Producing Self-Sufficient architectural products means, above all,  producing more effective organizational systems. The design of the  buildings will have special relevance, equipping them to generate the  totality of the energy they consume and creating, where necessary, new  physiological and metabolic delimitations of the building. The proposed  buildings will be related to a variety of uses (residential, work,  commercial, etc) and their users’ needs (micro scale) as well to the  specific context and the sum of groups of information (macro scale)  Building structures on all three scales will be defined by a set of  parameters, which will drive the final designs. These parameters will be  generated by geographical characteristics of the specific sites:  latitude and longitude, environmental data (temperature, CO2 emissions)  and urban context (density, flow of people).</p>
<p>The building is thus converted into a micro-city, with all of the  strata of a small city, and is understood as a complete organism,  plugged into a substratum by the managing of the input and output of  local data and characteristics. The final structures will be treated not  only as independent nodes but also as parts of a network — a new urban  layer. Such networks and their dynamics will be explored with a view to  understanding how information affects the construction of the physical  world, and how cities and their built elements can be seen as  informational architecture systems. The intention is not simply to  interface with the built environment but to implement strategies that  will transform built environments themselves into information systems.</p>
<p><strong>Distributed educational model: </strong>The IAAC Global Summer School is part of the IAAC Global School project. The IAAC GS (Global School) aims at generating a <strong>dynamic network </strong>based on distributed knowledge and collective actions. <em> </em></p>
<p>As part of this initiative, the IAAC Summer School will take place simultaneously at three different sites: <strong>Barcelona, Turin and Mumbai. </strong>All of the sites will be connected 24 hours a day via videoconferencing to develop the <strong>Self&lt;a&gt;rchitecture </strong>project  through the sharing of knowledge, techniques and experiences. IAAC  Summer School participants will have the opportunity to enjoy a unique  distributed academic experience, collaborating with fellow students,  faculty and researchers from all over the world in an effort to  transform Architecture into a <strong>tool/platform </strong>for  rethinking inhabitation (at the planetary, metropolitan, urban, building  and habitat scale) by way of a series of new ideas for creating space  for human habitation.</p>
<p><strong>Participants: </strong>The programme is aimed at students  from a variety of compatible fields, such as Architecture, Engineering,  Fine Art, Design, Landscape Architecture, Programming, etc.</p>
<p><a rel="attachment wp-att-1843" href="http://www.co-de-it.com/wordpress/?attachment_id=1843"><img title="IAAC_calendar" src="http://griffa.files.wordpress.com/2011/05/iaac_calendar.png?w=440&amp;h=166" alt="" width="440" height="166" /></a></p>
<p><strong>Calendar: </strong>Programme duration: 13-28 July 2011 The programme is structured in three sections:</p>
<p>1             Digital Design and Parametric Modelling (13-17 July)</p>
<p>2             Interactive and Informational Development (18-21 July)</p>
<p>3             Digital Fabrication Prototyping (22-27 July)</p>
<p>1             Digital Design and Parametric Modelling Wednesday 13  July: Introduction 14-15 July: Design proposal development, Grasshopper  Tutorials 16-17 July: Design proposal development, Ecotect Tutorials</p>
<p>2             Interactive and Informational Development 18-19 July:  Special workshop, project development 20-21 July: Interaction proposal  development, Arduino/Programming Tutorials</p>
<p>3             Digital Fabrication Prototyping 22-24 July: Project  Development, Digital Fabrication Tests, Digital Fabrication Tutorials  25-27 July: Global Workshop, Final Project Development, Prototype  Fabrication (scale of prototype to be announced)</p>
<p>Thursday 28 July: Final Presentation, Guest Jury</p>
<p><strong>Experts: </strong>Fab Lab BCN, Urbiotica, McNeel, Autodesk, Thales Alenia Space</p>
<p><strong>Guest faculty: </strong>Vicente Guallart, Willy Muller, Marta Malé-Alemany, Antoni Brei, Enric Ruiz-Geli, Massimo Banzi and more to be announced</p>
<p><strong>Local Instructors:</strong></p>
<p>Barcelona: Areti Markopoulou, Tomas Diez<br />
Turin: Cesare Griffa, Davide Gomba, Alessio Erioli, Andrea Graziano<br />
Mumbai: Dipal Kothari-Chhaya, Atrey Chhaya, Renu Gupta, Hemant Purohit</p>
<p><strong>Software: </strong>Rhino 4, RhinoCam, Grasshopper, Ecotect, Arduino</p>
<p><strong>Programme Activities: </strong>Lectures, Master Classes, Building Visits, Exhibition Visits</p>
<p><strong>References/Bibliography: </strong>Successful applicants  offered a place at the IAAC Summer School 2011 will be provided with the  relevant bibliography, which should be looked through before arriving  in Barcelona.</p>
<p><strong>Application Documents: </strong>Applications must be  accompanied by the following documents: -A completed IAAC Summer School  Application Form (available from applications@iaac.net) -Current  Curriculum Vitae -A photocopy of a valid passport or other accredited  I.D. -Proof of payment of the non-refundable application fee of 50  euros, payable by bank transfer to the Institute for Advanced  Architecture of Catalunya Bank: Caja de Arquitectos, Barcelona (Spain)  Account Number: 3183-0800-8200-0064-8636; IBAN: ES86 3183 0800 8200 0064  8636; BIC/SWIFT: CASDESBB</p>
<p><strong>Language: </strong>The course language is English, and all  sessions, classes, lectures and meetings with supervisors are in  English; knowledge of Spanish is not required.</p>
<p><strong>Fee: </strong>The tuition fee for the IAAC Summer School 2011 is 2,000 euros.</p>
<p><strong>Scholarships: </strong>IAAC will be offering seven special  scholarships, to be awarded on the basis of the applicant’s portfolio:  Three special scholarships of 100% of the total tuition fee Three  partial scholarships of 30% of the total tuition fee One special  scholarship (Mohamed Omer Scholarship) of 100% of the total tuition fee</p>
<p><strong>Certification: </strong>All participants will receive an  official certificate from IAAC and the Fab Lab BCN testifying to their  participation in the course and accrediting their knowledge of the  software used and expertise in Digital Fabrication techniques.</p>
<p><strong>Previous IAAC Summer Schools: </strong>Visit the two previous IAAC Summer Schools, which focused on:</p>
<p>1             Hyperhabitat (www.hyperhabitat.net)</p>
<p>2             Fab Lab Solar House (www.fablabhouse.com)</p>
<p>3             Infrormalism (http://www.iaac.net/educational-programs/summer-school-2011-9)</p>
<p><strong>Organization: </strong></p>
<p><strong>IAAC/Institute for Advanced Architecture of Catalonia </strong></p>
<p>IAAC is a cutting edge education and research centre dedicated to the  development ofan architecture capable of meeting the worldwide  challenges in the construction of habitability in the early 21st  century. Based in the 22@ district of Barcelona, one of the world’s  capitals of architecture and urbanism, IAAC is a platform for the  exchange of knowledge with faculty and students from over 25 countries,  including USA, China. India, Poland, Italy, Mexico and Sudan. Students  work simultaneously on multiple scales (city, building, manufacturing)  and in different areas of expertise (ecology, energy, digital  manufacturing, new technologies), pursuing their own lines of enquiry on  the way to developing an integrated set of skills with which to act  effectively in their home country or globally.</p>
<p><strong>IAAC </strong>has carried out research projects in Brazil,  Taiwan, Croatia and Romania. In 2008it was chosen to take part in the  official section of the Venice Biennale with the project Hyperhabitat  and in 2010 it presented a 1:1 scale house (entirely produced at IAAC)  at the Solar Decathlon Europe in Madrid where it won the Peoples Choice  Award. IAAC has the most advanced digital production laboratory of any  educational institution in southern Europe, with laser cutters, 3D  printers, milling machines and a platform formanufacturing chips.</p>
<p><strong>IAAC </strong>organizes the Masters course in Advanced  Architecture, directed by Vicente Guallart, Willy Müller and Marta  Malé-Alemany in conjunction with the UPC Polytechnic University. The  Open Thesis Fabrication course is open to Masters architecture students  from around the world. The Fab Academy is part of the global network of  Fab Labs affiliated to MIT’s Center for Bit and Atoms. Since 2004 the  IAAC has run the Self-Sufficient Housing and Self-Fab House design  competitions, and later this year will present the Your City 2109  competition with the aim of generating new paradigms for architecture  and the construction of the city in this time of change.</p>
<p><strong>IAAC Global Schoo</strong>l<strong>Visio</strong>n<br />
IAAC GS (Global School) is an initiative aiming at generating a <strong>dynamic network </strong>basedon  distributed knowledge and collective actions.XXI century humanity goes  through several global phenomena with local repercussions.Advanced  technological achievements on the one hand and financial crisis together  withsocial re-adjustments on the other.Architecture has been long  stayed in the limits of these phenomena trying to other usethe latest  generation technologies at whichever cost (case 01) or trying to respond  tofinancial and social crisis with low budget alternative or  traditional techniques (case 02).Case 01 leaded to the generation of an <em>elite </em>group  that keeps on producing at high,unsustainable costs involving little of  experimentation and much of passive productionambition. Case 02 mainly  managed to respond efficiently to single local needs widening,  though,the existing gabs between developed and developing realities.</p>
<p>In an effort of going beyond those linear approaches IAAC GS tries to  transformArchitecture into a tool/platform for rethinking inhabitation  (in a planetary, metropolitan,urban, building and habitat scale) through  a series of new ideas for creating space forhuman habitation.Based on  the idea From Bits to Geography (multiscalar approach) IAAC GS aims  tocreate a dynamic network for promoting innovation in architecture.</p>
<p><strong>Fab Lab Barcelona<br />
</strong>The Fab Lab Barcelona is a research and production center that  uses Digital Fabrication technologies for the production and the  intervention of our reality. The Fab Lab Barcelona is located at the  Institute for Advanced Architecture of Catalonia (IAAC) and belongs to  the Fab Lab global network, a project leaded by the Center for Bits and  Atoms at the Massachusetts Institute of Technology. Within this network,  the Fab Lab Barcelona promotes educational programs related to  architecture, design, physical computing and digital fabrication. Fab  Lab Bcn consists of 2 laboratories. 1.IAAC and 2.Disseny hub Barcelona  Fab Lab Barcelona has the vision to become something more than a machine  laboratory making things. Its objective is to become a laboratory of  PEOPLE that make things, converting the relationship between machines  and humans more fluid. The Fab Lab Barcelona seeks to make the process  of design, manufacture and production methods more accessible in terms  of knowledge, time and money. The Fab Lab Bcn wishes to establish a  closer relationship between technology, architecture and design, and  discover ways of how these elements may have a greater impact and value  in reality, not only from the economic point of view but also from the  social, functional, energetic and human point of view. The Fab Lab  Barcelona aims to become a global reference in Digital Fabrication  applications, as well as in spreading in different countries, through  training programs and implementation of new laboratories.</p>
<p><strong>Collaborators/Hosting Entities: </strong></p>
<p><strong>Politecnico de Torino (Torino,Italy) </strong></p>
<p>The Faculty of Architecture II of the Politecnico di Torino develops  programs in sustainability, construction, heritage, planning and green  areas up to MSc level. As part of their official studies careers,  students are encouraged to follow international seminars and workshops  as a way to enhance best practices. Over the last few years, the School  organized a series of international workshops focusing on the themes of  parametric design and sustainable architecture.</p>
<p><strong>BSSA (Mumbai,India)<br />
</strong>The Balwant Sheth School of Architecture (BSSA) focuses on  various modes of architectural education, research and practice. It  emphasizes on the ever changing ethos, behavioral sciences, tools and  techniques, and assimilates all in a contemporary design expression. In  formulating its agenda, BSSA would learn from the past, envision the  future, redefine, enhance and integrate the present and constantly  evolve. BSSA is a young school based in Mumbai. It offers a five year  degree program in Architecture from the NMIMS University and is  recognized by the Council of Architecture (India).</p>
<p><strong>Expert Advisors </strong></p>
<p><strong>Urbiotica </strong></p>
<p>Urbiotica is the result of the collaboration between Santa &amp;  Cole, Grup Iviron and D3K Gestió del Coneixement (UPC, Polytechnic  University of Catalonia). Santa &amp; Cole provides the experience and  knowhow on urbanism and industrial design so that the new technologies  deployed are integrated coherently in the existing urban fabric. Grupo  Iviron groups different companies in the ITC sector and provides its  experience in the sector of local government. D3K is the R+D core of <strong>URBIOTICA </strong>and  is formed by professors and researchers from the Communications &amp;  Signal Theory Department of UPC. Urbiotica solutions give response to  many unsolved situations in our current cities, like the unnecessary  waste of water for the maintenance of green areas, the problems derived  from traffic congestions, the economic burden of urban waste management  processes or the over consumption of energy in the street lighting.  Urbiotica deploy innovative devices and sw solutions which allow us to  gather real time information of different parameters from urban services  and mobility, and which in the end improve significantly the existing  services in terms of efficiency and quality. The technological devices  they market (sensors, data collectors and actuators) are fully  autonomous and manage energy so they can function for 10 years without  any maintenance. They are designed to be integrated aesthetically and  functionally to the existing urban furniture (lampposts, streetlights,  etc). Not far from today, we will live in cities capable of processing  and communicating information, cities capable of learning, anticipating  and reacting to our behavior. Smart cities offering new services to  citizens, some of them yet unimaginable.</p>
<p><strong>McNeel Europe<br />
</strong>McNeel is a software development company with worldwide sales,  support, and training. Founded in 1980, Robert McNeel &amp; Associates  is a privately-held, employee-owned company with sales and support  offices and affiliates in Seattle, Boston, Miami, Buenos Aires,  Barcelona, Rome, Tokyo, Taipei, Seoul, Kuala Lumpur, and Shanghai with  more than 700 resellers, distributors, OEMs, and training centers around  the world. Founded in 1995, McNeel Europe is the European, Middle  Eastern, and African headquarters for Robert McNeel &amp; Associates.  McNeel Europe is responsible for sales, marketing, training, support,  and localization of all McNeel products in EMEA. McNeel Europe also  develops the Penguin and other Rhino related products.</p>
<p><strong>Autodesk Research<br />
</strong>Autodesk is working to help solve some of the world’s most  complex design problems, from pressing ecological challenges to the  development of scalable smart infrastructure. Designers use Autodesk  tools to not only create plans for buildings, for example, but also to  simulate their impact on the environment and track their performance  over time. Autodesk Research is a team of expert scientists exploring  and creating technologies to help improve design and its role in society  through high-level projects and collaboration with leading research  universities worldwide. <strong>Autodesk Research </strong>is unique in  that they are dedicated to innovation and discovery in this realm. The  interests range from methods to help users learn powerful digital  prototyping tools, to visualization and simulation techniques, which  enable designers to achieve new levels of performance. Advancing the  state of the art in human-computer interaction, computer graphics, and  digital design technology, Autodesk research collaborates openly with  researchers at leading universities around the world.</p>
<p><strong>Thales Alenia Space<br />
</strong>Thales Alenia Space is at the heart of the most  high-performance space systems and associated technologies  (www.thalesaleniaspace.com). It operates in the sectors of  Telecommunication, Space Infrastructures and Transportation, Observation  and Environment, Space Science, Navigation, Equipment and Ground  Systems. In this framework, Thales Alenia Space -Italia displays a  unique experience and technological capability to design, build and  operate complex systems for life in space, such as orbiting stations,  re-entry vehicles and scientific instrumentation. Next generation  technologies under development in Torino’s premises include inflatable  structures, regenerative environmental control, advanced/hot structures  for high performance vehicles, as well as solutions for protecting  humans and systems from the space environment. The RecycLAB laboratory  of the Torino site is committed to the design, development and test of  advanced life support systems to increase the resources recovery from  wastes, including physico-chemical and bioregenerative systems. The  latter are currently studied for the ability of higher plants to provide  food, in addition to contribute to air revitalization and water  regeneration. Different technologies, also currently employed in  commercial hydroponic crop growth systems, are modified to meet the  space application needs.</p>
<p><strong>Mohamed Omer Scholarship </strong></p>
<p>Honoring the memory of Mohamed Omer, IAAC Alumni 2008-09 from Sudan we have created the <em>Mohamed Omer Scholarship </em>that  will be offered to the best student application from Africa, to cover  his/her full tuition in the IAAC Summer School. The selection of the  candidates will be undertaken by IAAC’s admission commission and decided  by the directors of the program. Students interested in applying for  the scholarship should send along with their application documents a  letter of intent stating the reasons of applying for the scholarship and  presenting their vision and expectations about the program.</p>
<p><strong>People</strong></p>
<p><strong>IAAC Director<br />
</strong>Vicente Guallart</p>
<p><strong>Global Summer School Director<br />
</strong>Areti Markopoulou, areti@iaac.net</p>
<p><strong>Global Summer School Coordinator<br />
</strong>Tomas Diez tomasdiez@iaac.net</p>
<p><strong>Global Summer School Scientific Commitee </strong></p>
<p>Vicente Guallart, Architect Willy Muller, Architect Marta  Malé-Alemany, Architect Artur Serra, Anthropologist I2CAT Nikos  Salingaros, Mathematician, University of Australia Florian Foerster,  Engineer, BuroHappold Antony Brei, Engineer, Urbiotica Enric Ruiz-Geli,  Architect Cloud 9 Gonzalo de la Camara, Economist</p>
<p><strong>Site Coordinators<br />
</strong>Barcelona: Areti Markopoulou Turin: Cesare Griffa Mumbai: Dippal Chhaya</p>
<p><strong>Collaborative Companies<br />
</strong>Urbiotica McNeel Europe Autodesk Thales Alenia Space</p>
<p><strong>Communication advisor<br />
</strong>Pati Nuñez</p>
<p><strong>General Coordination/Admission department<br />
</strong>Nota Tsekoura, coordinator@iaac.net</p>
<p><strong>Administration/Communication<br />
</strong>Laia Pifarre, laia@iaac.net Tom Zydel. tom@iaac.net</p>
<p><strong>For information:</strong></p>
<p>Link to <a href="http://www.iaac.net/educational-programms/summer-school-2011-9">IaaC self&lt;a&gt;rchitecture page</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.co-de-it.com/wordpress/iaac-global-school-%e2%80%93-selfarchitecture-summer-workshop-%e2%80%93-turin-july-2011.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mensa</title>
		<link>http://www.co-de-it.com/wordpress/mensa.html</link>
		<comments>http://www.co-de-it.com/wordpress/mensa.html#comments</comments>
		<pubDate>Mon, 21 Jun 2010 17:43:43 +0000</pubDate>
		<dc:creator>Co-de-iT</dc:creator>
				<category><![CDATA[research]]></category>
		<category><![CDATA[works]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[elegance]]></category>
		<category><![CDATA[Rhinoceros]]></category>
		<category><![CDATA[sensibility]]></category>
		<category><![CDATA[topology]]></category>

		<guid isPermaLink="false">http://www.co-de-it.com/wordpress/?p=438</guid>
		<description><![CDATA[The artist, the craftsman and the coder . Elio Garis &#60; Co-de-iT &#62; Bruno De Masi Vigone + S. Maurizio Canavese (TO) &#8211; 45°13&#8217;5.33&#8243;N, 7°37&#8217;54.27&#8243;E 2010 . When it comes to the use and implementation of digital strategies and tools one of the most common temptations is digital exhaustion: the project starts and becomes perfect in the digital realm. According to this obsession the digital outcome takes command and dictates the rules to which all material aspects should be subjected. Emergence material effects and any kind of post-machine work is seen as a flaw in a search for a fully file-to-factory process. Another common temptation which usually pairs the one we just described is the pursue of digital perfection: since digital tools allow accuracy and precision extreme specificity is often seen (and not without reasons) as a goal or an improvement. These are the case that serve optimization for iterative production, but we think that this shouldn&#8217;t be a universal rule. Digital strategies and tools in our mind are not a substitute of all existing tools and techniques, rather they have their own specificity; they integrate and expand the existing set, adding new extended potential and novel possibilities to it. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.co-de-it.com/wordpress/mensa.html" title="Permanent Link to Mensa">Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.</a></p>
<p><strong>The artist, the craftsman and the coder</strong></p>
<p>.</p>
<p><a href="http://www.eliogaris.it/" target="_blank">Elio Garis</a> &lt; <a href="http://www.co-de-it.com/wordpress/info">Co-de-iT</a> &gt; <a href="http://www.brunodemasi.com/" target="_blank">Bruno De Masi</a></p>
<p>Vigone + S. Maurizio Canavese (TO) &#8211; 45°13&#8217;5.33&#8243;N, 7°37&#8217;54.27&#8243;E</p>
<p>2010</p>
<p>.</p>
<p style="text-align: justify;">When it comes to the use and implementation of digital strategies and tools one of the most common temptations is digital exhaustion: the project starts and becomes perfect in the digital realm. According to this obsession the digital outcome takes command and dictates the rules to which all material aspects should be subjected. Emergence material effects and any kind of post-machine work is seen as a flaw in a search for a fully file-to-factory process. Another common temptation which usually pairs the one we just described is the pursue of digital perfection: since digital tools allow accuracy and precision extreme specificity is often seen (and not without reasons) as a goal or an improvement. These are the case that serve optimization for iterative production, but we think that this shouldn&#8217;t be a universal rule.</p>
<p style="text-align: justify;">Digital strategies and tools in our mind are not a substitute of all existing tools and techniques, rather they have their own specificity; they integrate and expand the existing set, adding new extended potential and novel possibilities to it. Substitution happens when the new tool is not only performing the same tasks than the old one but also adds new or improved qualities (performance in speed, accuracy, variation, added features, etc.).</p>
<p style="text-align: justify;">This is an exploration of the territory that lies in-between the digital and the physical realm, usign the digital as a resource to amplify the expressive palette of an artist (Elio Garis) working in tight connection with a craftsman (Bruno De Masi, we already worked with him for the <a href="http://www.co-de-it.com/wordpress/bosco.html">Bosco</a> project) for the design and realization of <strong><em>Mensa</em></strong>, an altar which should enrich the restoration of the Antica Chiesa Plebana, a XV century church in S. Maurizio Canavese (To). The design was conceived by Elio Garis, then developed by Bruno De Masi under his guidance, while Co-de-iT operated as a mediator between the digital realm of the information model and the physical sculptural expressive potential, translating the initial design into a coarse fabricated model in plywood. The model was purposely kept coarse to allow a final physical interaction by the artist in order to let him orchestrate material properties and effects according to his sculptural sensibility and experience.</p>
<p style="text-align: justify;">Sculptural sensibility is not a pure hylomorphic process. There is an intensive logic underneath, something that is even more evident in pottery making, where the potter should constantly interact with material properties in order to tease a shape out of clay: temperature, finger pressure, rotational speed of the plate, humidity are all intensively interacting at the same time and directed by the artist&#8217;s sculptural sensibility. To that extent, this project explores vagueness as a quality that could be implemented through digital tools: sculptors often take inspiration from pieces of material, guided by vibrant sensibilities they feel resonance and envision a potential to be disclosed.</p>
<p style="text-align: justify;">Our contribution with the digital tools is to explore through generative strategies a wide range of rule-based vague forms that can be coupled (according to material and fabrication logics) to several material palettes and let the final part of their morphogenetic process to be directed by the artist&#8217;s material sensibility.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.co-de-it.com/wordpress/mensa.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Bosco&#8221;</title>
		<link>http://www.co-de-it.com/wordpress/bosco.html</link>
		<comments>http://www.co-de-it.com/wordpress/bosco.html#comments</comments>
		<pubDate>Sun, 27 Sep 2009 23:47:53 +0000</pubDate>
		<dc:creator>Co-de-iT</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[works]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[Grasshopper]]></category>
		<category><![CDATA[parametric]]></category>
		<category><![CDATA[Rhinoceros]]></category>

		<guid isPermaLink="false">http://www.co-de-it.com/wordpress/?p=59</guid>
		<description><![CDATA[Scultura . Alessio Erioli, Andrea Graziano + Bruno Demasi Volvera (To) &#8211; 44°56&#8217;29.04&#8243;N, 7°30&#8217;46.34&#8243;E 2009 . &#8220;Bosco&#8221; è il primo risultato della collaborazione tra Co-de-iT e il ceramista Bruno Demasi. La serie di vasi è stata generata in Grasshopper, prima definendone la superficie esterna e successivamente lavorando sulle proprietà della superficie attraverso i suoi parametri costitutivi; in questo modo si esplicita una forma di ornamento di tipo indicistico e non convenzionale, in quanto le informazioni necessarie a definire le forme ottenute erano già contenute parametricamente nella superficie di partenza, erano sue proprietà virtuali. Le morfologie ottenute sono il risultato dell&#8217;applicazione di questo processo ad un sistema materiale (ceramica, polistirene, legno multistrato), alle sue proprietà endogene (struttura chimico-fisica, lavorabilità, caratteristiche visivo-tattili) e al suo comportamento rispetto alle forze esogene (temperatura, gravità, umidità, pressione, etc.). Intendiamo come ornamento la condizione attraverso cui le morfologie in natura creano articolazione e differenziazione, partendo dalla definizione che ne diede Sir John Summerson come &#8220;surface modulation&#8221;. Il tipo di rapporto generativo indagato è lo stesso che sta alla base della morfogenesi in natura, dove le informazioni sulle leggi di sviluppo che sono contenute nel codice genetico sono applicate a sistemi materiali organici, andando così a determinare [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.co-de-it.com/wordpress/bosco.html" title="Permanent Link to &#8220;Bosco&#8221;">Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.</a></p>
<p><strong>Scultura</strong></p>
<p>.</p>
<p><a href="http://www.co-de-it.com/wordpress/info">Alessio Erioli</a>, <a href="http://www.co-de-it.com/wordpress/info">Andrea Graziano</a> + <a title="Bruno Demasi" href="http://www.brunodemasi.com/" target="_blank">Bruno Demasi</a></p>
<p>Volvera (To) &#8211; 44°56&#8217;29.04&#8243;N, 7°30&#8217;46.34&#8243;E</p>
<p>2009</p>
<p>.</p>
<p style="text-align: justify;">&#8220;Bosco&#8221; è il primo risultato della collaborazione tra Co-de-iT e il ceramista Bruno Demasi. La serie di vasi è stata generata in Grasshopper, prima definendone la superficie esterna e successivamente lavorando sulle proprietà della superficie attraverso i suoi parametri costitutivi; in questo modo si esplicita una forma di ornamento di tipo indicistico e non convenzionale, in quanto le informazioni necessarie a definire le forme ottenute erano già contenute parametricamente nella superficie di partenza, erano sue proprietà virtuali. Le morfologie ottenute sono il risultato dell&#8217;applicazione di questo processo ad un sistema materiale (ceramica, polistirene, legno multistrato), alle sue proprietà endogene (struttura chimico-fisica, lavorabilità, caratteristiche visivo-tattili) e al suo comportamento rispetto alle forze esogene (temperatura, gravità, umidità,<br />
pressione, etc.).</p>
<p style="text-align: justify;">Intendiamo come ornamento la condizione attraverso cui le morfologie in natura creano articolazione e differenziazione, partendo dalla definizione che ne diede Sir John Summerson come &#8220;surface modulation&#8221;. Il tipo di rapporto generativo indagato è lo stesso che sta alla base della morfogenesi in natura, dove le informazioni sulle leggi di sviluppo che sono contenute nel codice genetico sono applicate a sistemi materiali<br />
organici, andando così a determinare una forma che, ad ogni iterazione del processo, non si ripete mai identicamente. L&#8217;identità è nel processo, non nel suo esito.</p>
<p>Come Co-de-iT, il nostro interesse in questa esplorazione è duplice:</p>
<p style="text-align: justify;">. identità di processo e non di prodotto: il vero progetto è nella definizione parametrica dell&#8217;oggetto, non nell&#8217;oggetto in sè; questo permette la generazione di famiglie di oggetti unici e specifici, pur discendenti dallo stesso processo (minime variazioni dei parametri possono dare sostanziali differenze morfologiche);</p>
<p style="text-align: justify;">. rapporto tra processi virtuali e sistemi materiali: l&#8217;applicazione dello stesso processo a sistemi materiali differenti produce effetti emergenti sul risultato, integrando la simulazione virtuale con le qualità del sistema  materiale adottato;</p>
]]></content:encoded>
			<wfw:commentRss>http://www.co-de-it.com/wordpress/bosco.html/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>aast///spaceframe installation</title>
		<link>http://www.co-de-it.com/wordpress/spaceframe-installation.html</link>
		<comments>http://www.co-de-it.com/wordpress/spaceframe-installation.html#comments</comments>
		<pubDate>Wed, 11 Mar 2009 15:35:50 +0000</pubDate>
		<dc:creator>Co-de-iT</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[works]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[Grasshopper]]></category>
		<category><![CDATA[Rhinoceros]]></category>

		<guid isPermaLink="false">http://__DOMAIN__/__DESTINATION__/?p=1</guid>
		<description><![CDATA[Installation . Davide del Giudice, Andrea Graziano CASARTARC &#8211; Settimo Torinese &#8211; 45°8&#8217;21.98&#8243;N, 7°46&#8217;30.61&#8243;E 7-17 aprile 2009 . Spaceframe è un&#8217;installazione creata ad hoc per l&#8217;inaugurazione della mostra AAST &#8211; Advanced Architecture Settimo Tokio svoltasi presso La Giardineria, v.le Italia 90bis, Settimo Torinese in Aprile. AAST è un evento internazionale ideato da Davide Del Giudice, Andrea Graziano e Lorena Alessio ed organizzato da CasArtARc &#8211; Casa delle Arti e dell&#8217;Architettura, dedicato ad approfondire le tematiche della generative architecture e del computational design in Italia.L&#8217;installazione è composta da una serie di pannelli triangolari di cartone assemblati per creare una superficie a doppiacurvatura totalmente parametrizzata e controllabile. Nello specifico è stata realizzata tramite uno strumento di scripting visuale chiamato grasshopper implementato nel software Rhinoceros 3d. I singoli pannelli, tutti diversi fra loro, sono stati tagliati con una macchina lasercut e assemblati on-site con graffette e sospesi tramite cavi . Aggregati fra loro, i singoli pannelli, siglati singolarmente in modo da facilitarne l&#8217;assemblaggio, creano una scansione di solidi piramidali con forature dimensionate parametricamente a seconda della distanza da un punto esterno virtuale detto attrattore. Processo (DavideDelGiudice): &#8220;La mia definizione di rhino-grasshopper è un riadattamento ed ottimizzazione di una definizione trovata su www.designalyze.com. Ho [...]]]></description>
			<content:encoded><![CDATA[<div>
<p><a href="http://www.co-de-it.com/wordpress/spaceframe-installation.html" title="Permanent Link to aast///spaceframe installation">Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.</a></p>
<p>Installation</p>
<p>.</p>
<p><a href="http://www.co-de-it.com/wordpress/info">Davide del Giudice</a>, <a href="http://www.co-de-it.com/wordpress/info">Andrea Graziano</a></p>
<p><a href="http://www.casartarc.org/" target="_blank">CASARTARC</a> &#8211; Settimo Torinese &#8211; 45°8&#8217;21.98&#8243;N, 7°46&#8217;30.61&#8243;E</p>
<p>7-17 aprile 2009</p>
<p>.</p>
<p style="text-align: justify;">Spaceframe è un&#8217;installazione creata ad hoc per l&#8217;inaugurazione della mostra AAST &#8211; Advanced Architecture Settimo Tokio svoltasi presso La Giardineria, v.le Italia 90bis, Settimo Torinese in Aprile. AAST è un evento internazionale ideato da Davide Del Giudice, Andrea Graziano e Lorena Alessio ed organizzato da <a href="http://www.casartarc.org/" target="_blank">CasArtARc &#8211; Casa delle Arti e dell&#8217;Architettura</a>, dedicato ad approfondire le tematiche della generative architecture e del computational design in Italia.L&#8217;installazione è composta da una serie di pannelli triangolari di cartone assemblati per creare una superficie a doppiacurvatura totalmente parametrizzata e controllabile. Nello specifico è stata realizzata tramite uno strumento di scripting visuale chiamato grasshopper implementato nel software Rhinoceros 3d. I singoli pannelli, tutti diversi fra loro, sono stati tagliati con una macchina lasercut e assemblati on-site con graffette e sospesi tramite cavi . Aggregati fra loro, i singoli pannelli, siglati singolarmente in modo da facilitarne l&#8217;assemblaggio, creano una scansione di solidi piramidali con forature dimensionate parametricamente a seconda della distanza da un punto esterno virtuale detto attrattore.</p>
<p style="text-align: justify;">Processo (DavideDelGiudice): &#8220;<em>La mia definizione di rhino-grasshopper è un riadattamento ed ottimizzazione di una definizione trovata su <a href="http://www.designalyze.com/" target="_blank">www.designalyze.com</a>. Ho implementato la nuova definizione includendo le funzioni parametriche atte a creare un completo &#8220;unroll&#8221; di tutte le piramidi originando un file con i pannelli A e B separati, numerati, con le facce delle piramidi unite tra di loro nei lati complementari, con i flap necessari per unire i pannelli ed altro. In questo modo la macchina lasercut produce direttamente i pannelli che necessitano solamente più dell&#8217;operazione di piegatura necessaria per raggiungere la configurazione tridimensionale finale</em>&#8220;.</p>
<p>L&#8217;installazione è stata possibile grazie alla disponibilità di <a href="http://www.todo.to.it/" target="_blank">ToDo design</a>.</p>
</div>
]]></content:encoded>
			<wfw:commentRss>http://www.co-de-it.com/wordpress/spaceframe-installation.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pototyping the city</title>
		<link>http://www.co-de-it.com/wordpress/prototyping-the-city.html</link>
		<comments>http://www.co-de-it.com/wordpress/prototyping-the-city.html#comments</comments>
		<pubDate>Wed, 30 Jul 2008 11:20:30 +0000</pubDate>
		<dc:creator>Co-de-iT</dc:creator>
				<category><![CDATA[teaching]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[parametric]]></category>
		<category><![CDATA[Torino]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://www.co-de-it.com/wordpress/?p=121</guid>
		<description><![CDATA[Workshop . Davide del Giudice, Andrea Graziano Torino Luglio 2008 . Nel Luglio 2008 abbiamo avuto l&#8217;onore di partecipare in qualità di assistenti al Workshop &#8220;Prototyping the city&#8220;, uno dei sette workshop della International Summer School organizzati nell&#8217;ambito di Torino World Design Capital. Due settimane intense a contatto con studenti provenienti da tutto il mondo. Sette gruppi di lavoro focalizzati su aspetti differenti del progetto capaci di lavorare in simbiosi per la produzione di una installazione temporanea. Un esperienza fantastica sia umanamente che del punto di vista tecnico ed educativo. Lascio al relativo blog il difficile compito di spiegare ciò che è successo ed è stato fatto e realizzato. Prototyping the city_Teaching Staff: . Leaders: C.Pasquero &#8211; Architectural Association &#8211; M.Poletto &#8211; Architectural Association &#8211; C.Tiazzoldi &#8211; Columbia University . Local coordination: C. Griffa &#8211; Politecnico di Torino . Local Partners: Denaldi Legnami s.a.s. . Experts: P. Anzalone – Columbia University . Assistants: D. del Giudice &#8211; A. Graziano]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.co-de-it.com/wordpress/prototyping-the-city.html" title="Permanent Link to Pototyping the city">Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.</a></p>
<p>Workshop</p>
<p>.</p>
<p><a href="http://www.co-de-it.com/wordpress/info">Davide del Giudice</a>, <a href="http://www.co-de-it.com/wordpress/info">Andrea Graziano</a></p>
<p>Torino</p>
<p>Luglio 2008</p>
<p>.</p>
<p style="text-align: justify;">Nel Luglio 2008 abbiamo avuto l&#8217;onore di partecipare in qualità di assistenti al Workshop &#8220;<a href="http://www.torinoworlddesigncapital.it/portale/content_2.php?sezioneID=288&amp;ID=702&amp;categoriaID=382">Prototyping the city</a>&#8220;, uno dei sette workshop della International Summer School organizzati nell&#8217;ambito di <a href="http://www.torinoworlddesigncapital.it/portale/index.php">Torino World Design Capital</a>. Due settimane intense a contatto con <a href="http://protocity.blogspot.com/2008/07/students.html">studenti</a> provenienti da tutto il mondo. <a href="http://protocity.blogspot.com/2008/07/student-groups.html">Sette gruppi</a> di lavoro focalizzati su aspetti differenti del progetto capaci di lavorare in simbiosi per la produzione di una installazione temporanea. Un esperienza fantastica sia umanamente che del punto di vista tecnico ed educativo.<br />
Lascio al relativo <a href="http://protocity.blogspot.com/">blog</a> il difficile compito di spiegare ciò che è successo ed è stato fatto e realizzato.</p>
<p>Prototyping the city_Teaching Staff:</p>
<p>. Leaders: C.Pasquero &#8211; Architectural Association &#8211; M.Poletto &#8211; Architectural Association &#8211; C.Tiazzoldi &#8211; Columbia University</p>
<p>. Local coordination: C. Griffa &#8211; Politecnico di Torino</p>
<p>. Local Partners: Denaldi Legnami s.a.s.</p>
<p>. Experts: P. Anzalone – Columbia University</p>
<p>. Assistants: D. del Giudice &#8211; A. Graziano</p>
]]></content:encoded>
			<wfw:commentRss>http://www.co-de-it.com/wordpress/prototyping-the-city.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

